Zwarte Piet/Black Pete, a short history+update on the cultural debate

As many undoubtedly know, the celebration of Sinterklaas has been the centre of a heated cultural debate in the Netherlands in the past years. It was not so much about Sinterklaas himself, but mostly about his help, Zwarte Piet – or Black Pete in English. According to some (and later many) Piet was sorely in need of an update because of racist stereotypes.

One reason for the ‘pro-Zwarte Piet’ people to stick to the blackfaced help, was because Zwarte Piet is supposedly part of an old Dutch tradition. Throughout Europe, Sinterklaas has lots of helpers, and in the Netherlands, these helpers are the Black Petes (plural). The fact that Piet has a black face would refer to his supernatural character or because he crawled through chimneys to bring the presents to the children. Some even say that the Pieten/Petes were the ravens of Wodan or Odin, since Sinterklaas is really Wodan (quod non). It is never explained why Piet would then wear an early Renaissance suit, have black frizzy hair and red lips and would wear golden earrings.

As the people who have read my earlier text about Sinterklaas himself know, I take the notion that this celebration is really old and pre-christian with a grain of salt. There is really  not much evidence that this is the case. Sure, there are non-christian, even heathen elements than can be found in the tradition. But Sinterklaas is not Odin. And Zwarte Piet is not an old demon such as Krampus– or isn’t even that old for that matter.

Note that the idea of a black (semi-)supernatural folkloric figure is indeed at least several centuries old. Several black men or black demon-like figures appear in Dutch folklore and are sometimes even called “Piet”. And in 1695 there was actually a convicted criminal called Swarte Piet. Some historians say that a black figure may even be a story by the Reformed to discredit a  Catholic saint like Sinterklaas (this wouldn’t be the only time the Reformed try do something like this). It is sometimes Sinterklaas himself who is black.

In the Netherlands, the first notion of Sinterklaas actually having a help stems from the 18th century. From the 19th century on there are several literary sources that refer to a black helper, but it is not really clear in what context and where this helper comes from. Some say it is indeed based on folkloric figures as described above, others say it may be based on Morish people in Italy (which may also explain the clothes Piet is wearing). Maybe it’s a bit of both as many folkloric traditions are far more eclectic than most people want to acknowledge.

In the 19th century, folklore was a popular but still rather new field of research and was not seldom used to ‘invent’ traditions. That is, researchers wrote down what they found, interpreted it, and were often looking for a ‘pure’ or ‘true’ tradition that fitted in with contemporary morals. Something like this may have happened with Sinterklaas and Zwarte Piet.

The first time we really see Sinterklaas with a black help is in the 1850 children’s book Sinterklaas en zijn Knecht (Sinterklaas and his help) of Amsterdam teacher Jan Schenkman. The helper is not yet named Piet and only gets his typical page-outfit in the third edition of the popular book. It is not known why Schenkman decided to write a black help into the Sinterklaas tradition and why Piet got his trademark outfit (apart from the possibilities already talked named above).

The black help (not yet named Piet) became popular quickly and appeared in real life Sinterklaas celebrations. In the later decennia of the 19th century we can find that folkloric elements of the black boogeyman as described were incorporated, such as the rod for naughty children. The oldest known photo of Sinterklaas and a black (that is: blackfaced) help, stems from 1885 , see below. Note how the help is riding a donkey. He got different names in different places, and it was only at the end of the 19th century that Piet became the most common name.

During the 20th century Piet as a black stereotype became more overt, presumably because of American pictures of blackface and stereotypical Negroe-figures that spread into Europe. Since the late 20th century there were more and more complaints about these stereotypes that were considered racist by a larger and larger group of people. This climaxed in the Kick Out Zwarte Piet – protests in the last years.

These protests have been heard (despite counterprotests) and in many please Piet is not black anymore but usually has smudges of soot on his (or her!) face. In some parts of the Netherlands, people keep insisting on blackface Zwarte Piet, but in the wider community this is largely considered a racist stereotype nowadays.

Sinterklaas is a popular folk tradition, and no doubt quite old. There are indeed many non-christian elements that can be found connected to the saint’s feast day. Zwarte Piet is non-christian for sure and he seems to be a Dutch invention, but that’s apparently what he is – a part of the rich history of the invention of traditions that stem from the 18th and 19th centuries. Traditions change and Piet was in hard need of a change.

National witch monument – a ritual of commemoration

In the last couple of weeks there has been a lot of discussion among Dutch witches, pagans and heathens about the initiative of the “Nationaal Heksenmonument”, the national witch monument. I wrote a bit more about it here. In short, this project is meant to commemorate the people who died in the Netherlands during the periode of the witch craze and to make people conscious of the idea that this should never happen again.

One element of this larger project is laying flowers at the places where people were executed. This laying of flowers happened on June 3rd 2023, 12 o’clock in the afternoon, at several places in the Netherlands. I was at the event in Mierlo, which commemorated the people who died during a short but violent outbreak of the witch craze in the Peelland area in 1595. Almost all were women, none of them had any power. Most of them were strangled and burned, some were burned alive, some were tortured so severely that they died – because of the torture of by suicide. One was the “housewife” of the local pastor, one was a twelve years old girl, another one was a ninety years old woman who was probably demented (she could show no remorse and was burned alive). The instigators were not members of the Church, but were local landlords, driven by paranoia and greed.

I didn’t count heads, but I think there were about fifty people present at the ceremony (I saw many online posts of other places with about the same amounts of attendants). The history of what happened to these unfortunate people more than 500 years ago was told. Then, the short manifest of Dutch writer and witch Susan Smit was read aloud, while the people who died were named. Their names are:

Marie Baten

Lys Cuypers

Jenneken Gordtkens

Heyl Bellen

Catharina Boons, alias Lyncken Pastoirs

Judth van Dorren

Theun Eumans

Margriet Muls

Nees Gommers

Marie Ruijters

Marie van Mierlo

Heyl Geenen

Fye Hanen

Griet Mijnsheeren

Anneken Thijs

Jenneken Goessens

Heijlken Schavaerts

Henricxken Sevens

Heylken Thonis

Elizabeth Willemssen

Anna Ceelen

Hendricxken Delyen

Margriet Brycken

Heylken Brycken

Jenneken inde Camer

And some unnamed people. Over a dozen of other people were also arrested, but were released or were saved when higher authorities were alarmed and rushed in to stop the madness.

After the manifest and the naming of the victims, everyone laid white flowers on the ground – near the place where (most of) these people had died. After this ritual, interesting discussions started. Unfortunately I couldn’t stay, because of another appointment.

I do have contact with the organization however, and am planning on making another post about some of the discussions and critiques surrounding this project.

If you want to know more about the witch craze in Peelland and can read Dutch, I highly recommend the book Duivelskwartier by Johan Otten, which painstakingly reconstructs the happenings surrounding this black page in the history of this area.

A national witch monument in the Netherlands

The face of witchcraft has greatly changed throughout the centuries. The last few decennia, it has grown fast as a (for some religious) way of life, as a form of Art. Some people however see witchcraft merely as superstition and then there are some who still see witchcraft as of the devil. Worldwide, people still get prosecuted for witchcraft. It is not a thing of the past, as I’ve written before.

In the last years, monuments remembering the witch hunts have sprung up in different countries. Now, a foundation has been established in the Netherlands to also raise a monument. The foundation is led by, among others, Susan Smit, a well known Dutch author and also one of the Netherlands’ most prominent witches. The project is simply named Nationaal Heksenmonument, National Witches’ Monument.

I’ve already seen some discussion spring up in online pagan groups about whether such a monument is warranted. This has mostly to do with the language the foundations used and the groups backing the foundation. Some of those groups consist of pagans, wiccans and feminists. These groups have not always been known to be very accurate when it comes to historical facts about the (European) witch hunts. Think “9 million victims” (the number is probably closer to 50.000, still large enough) or “witchcraft is really an ancient religion gone underground” (there is no evidence for this). There is also criticism towards the project’s emphasis on female witches and feminism.

These questions seem to have been taken into account, looking at the website of the Heksenmonument. There is no doubt that this project has a feminist, activist undertone, but that does not mean that a monument is not fitting. Firstly, the website addresses the questions and concerns. It aknowledges that modern witchcraft is something else efrom what was historically understood to be witchcraft. It also aknowledhes that there were men who were procecuted and even killed during the witch craze. The foundation works together with researchers, which gives me faith that they will indeed ‘get things right’.

Secondly, and to put this in a larger picture, lately there have been many discussions about public monuments and statues in the western world. When it comes to the Netherlands, the tradition of public statues is roughly a couple of century old and until fairly recently pre-occupied itself mostly with ‘heroes of the Dutch Golden Age’. These statues were mostly erected to glorify the Dutch nation. However, they show a rather onesided picture of Dutch history. Monuments such as the Heksenmonument aim to change this picture and tell a broader historical tale.

In short, I’m following this project with great interest. They have lots of plans, such as publishing a pamphlet, laying flowers at spots where accused people have died and of course, in the end, the monument itself. To be continued, surely.

Witch hunts are not of the distant past

I just finished the Dutch translation of Monica Black’s A Demon-haunted land: witches, wonder doctors, and the ghosts of the past in post-WWII Germany. Up until then I thought that Western belief in witches in the twentieth century and later was either based on wicca or based on individual cases of wise women or cunning men.  But no, Black’s book makes clear that even in our modern times, actual witch hunts can still take place in the Western world (I already knew they still happen in other parts of the world).

Black describes a landscape of war trauma, defeat, denial and suspision during the aftermath of World War II. This period is mostly known for the miraculous transformation of (West-)Germany from a war torn country to a modern, forward looking country that fully participates in the Western world. But WWII and the crushing defeat of Germany did not just disappear from people’s memories. And nazis did not just disappear either, despite a vigorous campaign of denazification. A lot went on behind closed doors, especially in the decennium or so after the end of WWII.

In this period as in every other period in human history, in their search for healing (mental as well as physical), people sometimes clung to wonder doctors in their uncertainty. Black’s book describes the case of Bruno Grüning, a German miracle healer opperating in the years after WWII who at one point drew thousands of people who were looking for healing. According to Grüning, some people were simply evil and could not be helped. Another folk healer, Waldemar Eberling, pointed to an accidentally passing neighbour, Frau Maassen, as the source of child’s disease. She was branded a witch.

These cases were not rare. It’s a strange idea that even in our so-called enlightened times, people can still be so scared and distrustful that they need an external source as the reason for their discomfort that they can exterminate. Think of the Satanic Panic of the eighties or people who are openly pagan or wiccan receiving threads even in the 21st century. Luckily we do not have an Incquisition anymore, but these cases could still be very harmfull. Poor Frau Maassen was treated as a pariah by many people in her community and became so upset that she lost ten pounds.  

These histories strike me as very important lessons even for today – especially for today. Here in the Netherlands, there is a tendency among a not-so-small subset of people to blame everything, from the lack of affordable houses to street harassment – on foreigners, especially non-western Muslim foreigners. They are not called witches, but the hate these people have to endure from a subset of my fellow Dutch people is sometimes downright irrational and certainly scary.

Despite what many modern day witches want to believe, many non-witches still see witchcraft and the word “witch” as something decidedly negative. I guess communities, at least most people, need adversaries, someone or something they can blame when something goes wrong.  Sometimes these are witches, sometimes these are Muslims, Jews or another group of people.

But I do not believe that is the whole story. There is also a sense of wounded superiority. Some people hold the conviction that that man is better than woman or white is better than black. When these ideas are attacked and/or proven false, someone whose worldview is built on these ideas could lash out. I do not have a solution for any of this. (Wouldn’t it be great of one person could solve this?) Some part of me thinks it is not just a social issue but also a personal issue – some individual will always seek ways to make themselves feel superior to others and will always seek external scapegoats for when something goes wrong. In a climate full of tension, this can ignite and  turn into something bigger. What we can do is learn to see this behavior and make a stand against it.

Read The Left Eye Of Odin (Or Right) on the Norse Mythology Blog

“He is the fury that stirs poet, artist, dancer, and musician as they enter into a deeply creative state in which they lose track of time and mundane situation. When the guitarist is so concentrated on improvising in the moment that she doesn’t afterward remember making any conscious musical decisions, Odin is there. When the painter is so immersed in the work that she doesn’t notice the night’s passing until the beeping of her morning alarm finds her still brushing away, Odin is there.”

Read the whole article about developing myths and stories over time, comparative mythology and the figure of Odin by clicking on the link below:

Https://www.norsemyth.org/2021/05/the-left-eye-of-odin-or-right.html?m=1https://www.norsemyth.org/2021/05/the-left-eye-of-odin-or-right.html?m=1

Dutch review of “De Heilige Nachten” by Mirjam van Donselaar

This book review is in Dutch, because the book has (so far) only been published in Dutch:

Er was ooit een tijd dat je met een lantaarn op zoek moest om een boek over hekserij of heidendom te vinden. Ik kan me herinneren hoe ik als jonge heks eind jaren ’90 meemaakte hoe dat veranderde. Bedolven onder boeken pakte ik alles waar ik mijn handen op kon leggen, verslond kennis en kunde en probeerde van alles uit. Nu in 2020 kun je met gemak een bibliotheek vullen met alleen maar boeken over heksen, heidenen, magie, folklore en aanverwante onderwerpen. Is niet alles wat relevant is al een keer beschreven?

Je zou denken van wel. En toch komen er regelmatig boeken voorbij waarvan ik niet wist dat ik ze wilde hebben èn waarvan ik denk dat ze ook relevantie kunnen hebben in een grotere kring. Een zo’n boek is De Heilige Nachten van Mirjam van Donselaar. Dit boek gaat over de steeds populairder worden traditie van de heilige nachten rond Midwinter/Joel. Voor Germaanse heidenen is dit een zeer belangrijke periode, tijdens welke men het oude jaar uit zwaait en het nieuwe jaar verwelkomt. Dit gaat gepaard met bezinning en ritueel over leven, dood en wedergeboorte.

De heilige nachten is uitgegeven door A3-boeken. Ik heb een beetje een haat-liefde-verhouding met deze uitgeverij. De ‘haat’ (nogal een sterk woord in deze context) zit hem in het nogal hoge new-age-gehalte van veel uitgaven. Ik besef dat dit een kwestie van smaak is, maar het zorgt er wel voor dat ik soms boeken laat liggen waarvan de thema’s me vaak eigenlijk wel aanspreken. De liefde zit hem in twee dingen. Allereerst is duidelijk dat er veel aandacht aan vorm en inhoud van ieder boek wordt gegeven. Daarnaast is A3 een uitgever die iedere Nederlandse heks/heiden naar mijn mening in de gaten moet houden, omdat er boeken tussen zitten die thema’s behandelen die bijna nergens anders (op deze manier) behandeld worden.

En daar valt Mirjam van Donselaars De heilige nachten naar mijn idee ook onder. Natuurlijk is er al van alles geschreven over Joel en de tradities daaromheen. Maar zoiets als dit boek had ik nog niet eerder gezien. De stem van de schrijfster is duidelijk aanwezig in dit boek, dat een mix bevat tussen mythologie/folklore en persoonlijke rituelen. De achtergrond van de schrijfster in psychologie klinkt hier en daar door, wat een bijzondere en waardevolle combinatie is met haar ervaring op het gebied van sjamanisme. Na de inleiding gidst Van Donselaar je door twaalf hoofdstukken cq. nachten, waarbij iedere nacht voor een bepaald thema staat. Daarbij kun je denken aan zuivering, stilte of voorouders. Naast een inspirerende uitleg wordt in ieder hoofdstuk ook meditaties, recepten en rituele gegeven. De opzet is zodanig dat ik dit boek waarschijnlijk wel meerdere jaren op verschillende manieren kan gebruiken, omdat er voor iedere nacht meerdere mogelijkheden zijn om er invulling aan te geven. Daarnaast geeft het natuurlijk inspiratie om een eigen jaarlijkse traditie op te bouwen.

Het boek bevat ongeveer 140 pagina’s en is voor mij het zoveelste bewijs dat er in dunne boeken vaak meer waardevols staat dan in dikke pillen met ellenlange esoterische verhandelingen. Uit de achtergrond van Van Donselaar blijkt dan ook dat ze zelf een rijke ervaring heeft met de onderwerpen waar ze over schrijft. Ben je op zoek naar ideeën voor Joel waarbij je verder wilt gaan dan een Joelblok aanstekken en een lekkere maaltijd maken en waarbij je niet bang bent om je ziel bloot te leggen, dan raad ik je dit boek van harte aan.

New page about Ostara

Ostara (aka Eostre) has become one of the best known goddesses within paganism, since a whole spring festival has been named after her. What I like about the way that pagans celebrate Ostara and honor the goddess is that this is actually quite a modern celebration, based on possible older traditions that we actually don’t know anything about. What I’m trying to say here is that we could probably call Ostara a ‘new’ goddess.

Read more about this goddess and her history…

Ostara_by_Johannes_Gehrts 1884

Ostara (1884) by Johannes Gehrts

Lecture on witchcraft this weekend! (Dutch)

This message is in Dutch, since it’s about a lecture in the Netherlands that I’ll give this weekend:

Komende zaterdag geef ik een lezing over de geschiedenis van hekserij naar aanleiding van een expositie over hetzelfde onderwerp die momenteel in Helmond is te zien! Ik zal vertellen over de heksenvervolging in De Peel, maar zal daarnaast ook veel vertellen over de geschiedenis van hekserij en de beeldvorming rondom heksen. De lezing vindt plaats in De Pracht in Waalre, op zaterdag 9 maart van 11 tot 13 uur. Er zijn nog 3 plaatsen! Aanmelden kan via deze link:

https://depracht.nl/…/lezingen-over-kunst-exposities-en-mus…

of door mij een bericht te sturen via het contactformulier. Hopelijk zie ik je zaterdag!

Heksfest

Tomorrow, March 3rd 2019, is Heksfest! This festival by and for witches will take place in Oss, the Netherlands. There will be a market and throughout the day a number of workshops and lectures will take place. More info can be found on the site of Lunadea, one of the organisers (Dutch site):

https://www.lunadea.nl/heksfest-1

NB pre-sale tickets are sold out, but there are still some tickets available at the entrance.

I won’t be able to make it myself, but I sent some Ostara cards to the organisation. They are added to goodiebags that will be gifted to the first 100 visitors! The cards will make a lovely addition to your spring altar, or you can send them to a friend to wish them merry Ostara.

I wish everyone going there a great time, and hope to be there myself next time.

Ostara_Dutch_Pagan_Thimsternisse.JPG